Olfactory art, in particular scented cinema, has consistently been the brunt of dismissive humor. The “Scent in Cinema” series seeks to present works of scented cinema and provide critical discussions of this medium. The events include a virtual screening with mailed scratch and sniff cards followed by a moderated panel discussion with experts in the field. This event is meant to (1) increase enthusiasm about the study and creation of olfactory arts; (2) cultivate better sensory understanding of and critical engagement with smell; and (3) provide connections across several fields.
02: Participatory Scented Cinema
The event occured on Saturday, September 11th, 2021, and featured: over 120 registrations across 10 countries. Outdoor screenings, goodie bags, airzookas, food, bubbles, and candies oh my! For Scent in Cinema’s second installment, we highlight the wondrous art form of participatory scented cinema: a multisensory experience breaking down the conventional rules of the cinematic viewing experience by directly involving the audience with play. As Gene Siskel wrote on John Waters’s Polyester, “what I enjoyed was the act and the idea of a whole bunch of strangers sitting in a movie theater, scratching cards and smelling in unison with a movie character. […] It’s a film that laughs at adults, but, thanks to Odorama, it’s also a film that allows all of us to laugh at ourselves” (Siskel 1981).
We were excited to welcome a panel of international artists who have tackled the world of scented cinema over the last two decades, presented a variety of scented experiences, and each with their own creative goals. Topics covered by the panel discussion spanned how play impacts cinema, how multisensory experiences lower the barrier of entry in cultural engagement, what the legal ramifications of such works are, and more.
Panelist bios
Megan Dickerson, The New Children’s Museum
Bio: Megan Dickerson (US) is an experience designer who partners with individuals and groups to create immersive, inter-generational spaces that leave lasting impressions on communities. At Boston Children’s Museum for ten years, Megan’s user-centered designs included: Boston’s Longest Dinner Table, a three-month community participation project focused on family dinner; GoKids in Boston Neighborhoods, a two-year health and nutrition project co-designed with Boston Housing Authority family development tenants; and numerous, playful interventions on Friday dollar nights, from projecting short films on the Museum’s iconic milk bottle to leading families through spy-style alternative reality games. As Director of Exhibitions at The New Children’s Museum since 2013, Megan has overseen the development of large-scale art installations for children and families, from a 30-foot-tall climbable tower to a giant crocheted net by Toshiko Horiuchi MacAdam. Through play(space), the umbrella for her independent projects, she is known for public art projects such as the Bumpkin Island Art Encampment, a partnership with the Massachusetts Department of Conservation and Recreation, and Willy Wonka in Smell-O-Vision, a partnership with the City of Somerville. Megan holds a BA in History & Museum Studies from the University of California, Los Angeles, and an MA from the interdisciplinary Play and Playwork program at the University of Gloucestershire.
Learn more about Megan’s take on playfulness and urban issues at play(space).
Clinton McClung, Cinebago Events
Bio: Clinton McClung (US) has been a film programmer and event producer for over 20 years, starting at the Coolidge Corner Theatre in Boston and most recently as Director of Cinema Programs for the Seattle International Film Festival. He specializes in staging unique and engaging events that combine film, live performance, audience interaction, and celebrations of all things pop culture.
Bren O’Callaghan, HOME
Bio: Bren O’Callaghan (GB) is an experienced Creative Producer, Curator, and Artistic Director based in Manchester, UK. His practice aims to inspire wider engagement, foster collaboration, and empower artists and audiences. Bren is attracted by forms of play and the capacity of delight, both as a conduit for further curiosity and a means of dismantling barriers to cultural appreciation. He is adept at walking a tightrope between a balancing act of public appeal and perceived value, encouraging others to cross the divide for themselves. Bren is presently Curator at HOME, Manchester, with an independent creative practice based at Paradise Works, Salford.
In a period of escalating 3-D movie production, itself stemming from a gimmick long thought redundant, Scratch ‘n Sniff Cinema is a purposely no-tech method descended from the era of Odorama and Smell-O-Vision, popularised by the likes of trash film director John Waters. The use of smell by movie theatre owners as a means of additional stimuli can be traced back as far as 1906, but was largely abandoned due to being a clumsy and inefficient fad. This was exactly his purpose in re-presenting Scratch ‘n Sniff Cinema: to encourage and invite disruption, wonder and conversation, often in non-cinema environments using portable equipment and choosing a title to respond to the location or reason for presentation. In prepping the audience for olfactory clues, the viewer becomes acutely aware of the filmmaking process… background activity, action, and dialogue adopt new meaning in a dot-to-dot treasure hunt for related vapours.
Personal Website | Scratch ‘n Sniff Cinema | HOME
Tammy Burnstock, Scented Storytelling
Bio: Tammy Burnstock (AU) is a writer, director, immersive event producer, and scented storyteller. Experience in the screen-based industry includes 12 years in the Children’s department of the Australian Broadcasting Corporation (ABC), where Tammy originated and executive produced the award-winning online gateway The Playground. Since her film school thesis Attempts to Record Smell for the Cinema (1986), Tammy’s twin fascination with scent and cinema continues. Recently she initiated the ground-breaking olfactory restorations of the first (and last) Smell-O-Vision! films Scent of Mystery and A Tale of Old Whiff. Scent of Mystery (1960) was presented in participatory ‘Smell-O-Vision!’ for the National Science and Media Museum in Bradford, UK, for the Danish Film Institute in Copenhagen, and for the TCM Classic Film Festival in Hollywood. Most recently, she co-directed and produced In-Glorious Smell-O-Vision!, a scented documentary film that sheds light on the technology’s history and its inventor Hans Laube.
Scented Storytelling | In-Glorious Smell-O-Vision!
01: A Tale of Old Whiff (1960)
The event occured on Friday, December 4th, 2020, and featured: over 230 registrations across 20 countries and 130 live attendees. This installment was made possible thanks to the support of the University of Chicago Graduate Council and Cinerama Inc! This was additionally co-organized with the brilliant Tammy Burnstock!
About the short animation
The short animation stars Whiff, a bloodhound put to work by an intrepid detective to sniff out a museum’s stolen dinosaur bone worth $100,000.00. One small problem… Whiff can’t smell anything, but luckily the audience can.
The cartoon accompanied Mike Todd Jr.’s Scent of Mystery in its original theatrical release in 1960. This first scented animation originally featured 15 unique odors, delivered to each seat by Swiss inventor Hans Laube’s ‘Smell Brain’. A long lost print, only recently discovered, has been restored and re-mastered by David Strohmaier. Tammy Burnstock, Michelle French (FrenchBaker), Missy Whitaker (Print-A-Scent), and Neal Harris (Scentevents) collaborated to create a scratch and sniff card featuring 8 odors, including hot dog, dinosaur bone, and a complex field of flowers.
Panelist bios
Leslie Kay, University of Chicago
Bio: Leslie Kay (US) is a Professor of Psychology and has been at the University of Chicago since 2000. Her laboratory studies olfactory and limbic system neurophysiology, focusing on the mechanisms and functions associated with intra- and inter-regional oscillatory cooperativity. Kay did her dissertation research in the laboratory of Walter J. Freeman at the University of California, Berkeley, and received her PhD in Biophysics in 1995. She then did her postdoctoral research in the laboratory of Gilles Laurent at the California Institute of Technology, where she studied olfactory bulb mitral cell responses to changes in odor context.
Faculty Page | Kay Lab | Google Scholar Profile
Catherine Clepper, Rutgers University
Bio: Catherine Clepper (US) is an Assistant Professor of Practice at Rutgers University’s P3 Collaboratory. Clepper received her PhD in Screen Cultures from Northwestern University and wrote her dissertation The Rigged House: Gimmickry, Exhibition, and Embodied Spectatorship in Mid-Century American Movie-Going (2016) on mid-century, multi-sensory cinematic gimmicks such as Smell-O-Vision!, AromaRama, and Sensurround. Clepper additionally works as a research consultant for The Interviews: An Oral History of Television (formerly the Archive of American Television).
Academia Profile | Google Scholar Profile
Tammy Burnstock, Scented Storytelling
Bio: Tammy Burnstock (AU) is a writer, director, immersive event producer, and scented storyteller. Experience in the screen-based industry includes 12 years in the Children’s department of the Australian Broadcasting Corporation (ABC), where Tammy originated and executive produced the award-winning online gateway The Playground. Since her film school thesis Attempts to Record Smell for the Cinema (1986), Tammy’s twin fascination with scent and cinema continues. Recently she initiated the ground-breaking olfactory restorations of the first (and last) Smell-O-Vision! films Scent of Mystery and A Tale of Old Whiff. Scent of Mystery (1960) was presented in participatory ‘Smell-O-Vision!’ for the National Science and Media Museum in Bradford, UK, for the Danish Film Institute in Copenhagen, and for the TCM Classic Film Festival in Hollywood. Most recently, she co-directed and produced In-Glorious Smell-O-Vision!, a scented documentary film that sheds light on the technology’s history and its inventor Hans Laube.
Scented Storytelling | In-Glorious Smell-O-Vision!
Scott Wolniak, University of Chicago
Bio: Scott Wolniak (US) is a multidisciplinary artist, teacher, and occasional curator based in Chicago. Working in a variety of media including drawing, sculpture, and animation, his work uses humor and phenomenology to present everyday life within a cosmic context. Wolniak utilizes the open-ended theoretical models of landscape and the artist’s studio to produce relational works, which range from opulent fields to cartoonish figuration. Wolniak began his teaching career at the School of the Art Institute of Chicago in 2002. Since then, he has taught across media, developing curriculum for classes such as Conceptual Drawing, Collage, and Experimental Animation: Exploring Manual Techniques. Wolniak won the Janel M. Mueller Award for Excellence in Pedagogy in 2014. Wolniak launched Screen Share Video Gallery at the University of Chicago in 2016 as a platform for student work in Video, Animation, and New Media.
Faculty Page | Personal Website | Screen Share Video Gallery
Surprise guests
In addition to our panelists, we were joined by Dr Nadia Berenstein and Neal Harris (Scent Events). Thank you both for jumping in to provide your insights!
The series is programmed and organized by Jas Brooks and Tammy Burnstock.